TV Consoles
TV Broadcast Consoles


@D-5.2

@D-16

@D-10

@D-8

@@\ꗗ


Feature Comparison Matrix

Wheatstone D Series Surface Feature List 
D-5.2
D-16 D-10
D-8
  Faders all motorized
      # of faders (maximum)
146
144 88
30
      # of input faders (maximum) 128 128 72 24
      Second Fader Layer (paging)




  Output Buses and Feeds
      Main Output buses
1-5.1 surround
2-stereo
1-mono
1-5.1 surround
3-stereo
1-5.1 surround
3-stereo
1-5.1 surround or stereo
1-stereo or mono
      Subgroups, stereo
8
8 8 4
      Aux Sends, stereo
8 16 4 2
      Mix-Minus buses
18 8 8 8
      Bus-Minus (N-1) feeds
one per input fader
one per input fader one per input fader one per input fader
      Studio feeds with IFB 5 3 2 2
  Features
      Metering
LED bargraph and LCD LCD meterbridge LCD meterbridge Touchscreen monitor
      Presets 99 99 99 99
      5.1 Unfold

      Programable switches 10 16 + one per input fader strip 12 6
      Source preset hot button 2 1 1  
  Processing and Effects every channel
      Delay up to 667ms
      Pan/Balance/Mode
      4-band Parametric EQ
      High- and low-pass filters,
      adjustable
      Tunable Notch Filter    
      Compressor/limiter
      Expander/gate
 

D-5.2


Bus Structure:
Main Buses: One 5.1 Program + Stereo Down Mix (+2), Two Stereo Program, One Mono Program
Submasters: 8 Stereo, standard (can be optionally configured for 5.1)
Mix-Minus: 18 Mono; (direct assign from Inputs) with automatic confidence feed switching
Auxiliary Sends: 8 Stereo; (direct rotary control from fader channel)
Bus Minus: Direct mix-minus feed from every input fader channel

Outputs: Outputs from all buses and bus-minus are configured within the Bridge router matrix and can be analog, and/or digital, or not fitted.
Monitor Feeds: Two 5.1 (Audio Booth and Production Control), Six Stereo (5 Studio feeds, 1 Headphone feed)

The following are the signal proccessing functions provided with all input fader channels:
Phase Reverse
Surround Pan / Balance Control and Blend
Stereo Mode Control
4-Band, Parametric Equalizer with Variable High & Low Pass Filter, Tunable Notch Filter
Compressor / Limiter / Gate
Continuosly variable delay, scalable in frames or milliseconds up to 667 milliseconds (20 frames)
All controls for the above functions are conveniently placed in a central facilities panel located within easy reach.
Multiple Control Surface frame sizes available that can accommodate up to 128 input faders.
5.1 Spill: spills a surround source to adjacent faders for discrete LCRS-LFE remixing
Channel gPagingh function allows a 32 input fader control surface to control 64 mixing channels.
Variable Delay on all faders and mix outputs
Overview

Designed for applications that require large console features in a compact footprint, such as small control rooms or OB, the D-16 gives the operator control of all channel parameters in a clean logical layout without resorting to multiple layers of assignable controls.

A 32 Input fader, 64 channel system takes less than 50 inches (127 cm) of space.

When configured for dual layer operation, each input channel has two input source displays, one showing the current active channel, the other showing the channel one layer down, eliminating the need to ginterrogateh a channel to determine source status.

While designed for tight spaces, multiple frame sizes allow you to spread out the layout as your space permits.


D-16


Features Overview

Bus Structure:
Main Buses: One 5.1 Program, Three Stereo Program
Submasters: 8 Stereo, standard (can be optionally configured for 5.1)
Mix-Minus: 8 Mono with automatic Confidence feed switching
Auxiliary Sends: 8 Stereo; (direct rotary control from fader channel)
Bus Minus: Direct mix-minus feed from every input fader channel

Outputs: Outputs from all buses and bus-minus are configured within the Bridge router matrix and can be analog, and/or digital, or not fitted.
Monitor Feeds: Two 5.1 (Audio Booth and Production Control), Three Stereo Studio feeds.

The following are the signal proccessing functions provided with all input fader channels:
Phase Reverse
Pan / Balance Control
Stereo Mode Control
4-Band, Parametric Equalizer with Variable High & Low Pass Filter, Tunable Notch Filter
Compressor / Limiter / Gate
Continuosly variable delay, scalable in frames or milliseconds up to 667 milliseconds (20 frames)
All controls for the above functions are conveniently placed in a central facilities panels located within easy reach.
Overview

Designed for applications that require large console features in a compact footprint, such as small control rooms or OB, the D-16 gives the operator control of all channel parameters in a clean logical layout without resorting to multiple layers of assignable controls.

A 32 Input fader, 64 channel system takes less than 50 inches (127 cm) of space.

When configured for dual layer operation, each input channel has two input source displays, one showing the current active channel, the other showing the channel one layer down, eliminating the need to ginterrogateh a channel to determine source status.

While designed for tight spaces, multiple frame sizes allow you to spread out the layout as your space permits.



D-10


Features Overview

Bus Structure:
Main Buses: One 5.1 Program, Three Stereo Program
Submasters: 8 Stereo, standard. (can be optionally configured for 5.1)
Mix-Minus: 8 Mono with automatic Confidence feed switching
Auxiliary Sends: 4 Stereo; (direct rotary control from fader channel)
Bus Minus: Direct mix-minus feed from every input fader channel

Outputs: Outputs from all buses and bus-minus are configured within the Bridge router matrix and can be analog, and/or digital, or not fitted.
Monitor Feeds: One 5.1 (Audio Booth), Two Stereo Studio, and One Stereo Headphone feed
No running PC required

The following are the signal proccessing functions provided with all input fader channels:
Phase Reverse
Pan / Balance Control
Stereo Mode Control
4-Band, Parametric Equalizer with Variable High & Low Pass Filters
Variable Delay on all faders and mix outputs
All controls for the above functions are conveniently placed in a central facilities panels located within easy reach.
Overview

The D-10 has ALL the controls needed right WHERE theyfre needed, complete with well-lit switches and encoder lightpipes for fast visual confirmation no complicated layering or function sharing to surprise your operators.

Itfs all instantly there: fader, primary bus assigns, bus-minus control, aux sends and channel gain. Only secondary functions (like equalization and dynamics) are centralized.

The D-10 has a well thought-out talkback system, eight subgroup mixes , as well as four DCMs (digitally controlled master/mute groups).

Plus eight mix-minus buses with a full confidence feed system. Subgroups, DCMs and Masters all have dedicated faders, so these functions are one step and error-free (no assignable faders utilized).


D-8


Features Overview

Bus Structure:
Main Buses: One 5.1 Program, One Stereo Program.
Submasters: 4 Stereo.
Mix-Minus: 8 Mono with automatic Confidence feed switching.
Auxiliary Sends: 2 Stereo; (direct rotary control from fader channel)
Bus Minus: Direct mix-minus feed from every input fader channel

Outputs: Outputs from all buses and bus-minus are configured within the Bridge router matrix and can be analog, and/or digital, or not fitted.
Monitor Feeds: One 5.1 (Audio Booth), Two Stereo Studio feeds, One Stereo Headphone feed.

The following are the signal proccessing functions provided with all input fader channels:
Phase Reverse
Surround Pan / Balance Control and Blend
Stereo Mode Control
4-Band, Parametric Equalizer with Variable High & Low Pass Filter.
Expander / Compressor / Limiter / Gate
Variable Delay on all faders and mix outputs
Overview

Wheatstone features and performance for the mid- and small market facility the television console you always wanted but didn't think you could afford.

Fully featured, the D-8 incorporates an incredibly intuitive touchscreen for metering and for lesser used and set-and-forget controls. Up to 32 channels of mix-minus / N-1 outputs, surround panning, and per-channel delay are just a few of the requisite functions rarely found in consoles at this price.

Utilizing the same Wheatstone Bridge audio networking technology as the D-5.2, D-16, and D-10, the D-8 can be configured with any combination of analog and digital inputs. Those inputs can be mono mic or line, stereo, or 5.1. 5.1 and stereo output buses allow you to feed both your HD and SD program streams with no fuss.


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